asymmetries
Nicola Cayless.
Looking for light in words.





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❝ Little events, ordinary things, smashed and reconstituted. Imbued with new meaning. Suddenly they become the bleached bones of a story.

— The God of Small Things, Arundhati Roy

I’m too old for sandwiches with the crusts cut off, for Barbies, for Deltora Quest, for milo milkshakes, for running through the sprinkler on a really hot day, for playing Hide and Seek, for showing my mother my drawings, for getting out of chores, for bedtimes. (I do them all anyway with joy.)

I’m too young for responsibilities, for a credit card, for job-hunting, for CV writing, for virginity, for alcohol, for peer pressure, for marijuana, for hands on my breasts, for showing a boy secret parts of my body, for falling in love, for writing something meaningful. (No one cares if I’m too young; I deal with it all anyway.)

I wish I weren’t too young for having people not trust me when I say that I’m in love.

I wish I weren’t too old for fingerpainting and playdough.

How we feel human.

Sex, rice pudding, simply breathing, reading poetry, murder, colours, smiles, silences, the night, what happiness tastes like, what happiness doesn’t taste like, the last pages of a book, bitten down nails, tendons that ache, glasses of cold milks, ‘I love you’s, no kisses, eye kisses, cracking your spine, aromatherapy oils, staying in bed til late, waking up before the dawn, longing for arms, craving for touches, desires for certain tastes, long walks, summer heat, snowfall in the morning, when we remember that we are just animals.

I don’t know how I am lonely when just outside my room there are two sprawling trees with their leaves that brush against my windows, when there’s a dog barking loudly at eleven at night in the neighbourhood, when my parents are sleeping off their drink just down the hall. I don’t know how I am lonely when everything seems to be alive, and even if it’s not, then it once was, and even if it wasn’t, then all it takes is our imagination to make it so. Imagine if my comforter could talk to me, could wrap itself around me when I’m sad, could sing me to sleep when I’m all dehydrated and my cheeks are wet. Imagine if the lights could dim themselves, knowing when I needed silence and darkness because sometimes it’s when we’re stumbling over discarded memories that we find what we didn’t know we were looking for. If books could talk, do you think that their pages would agree with the way their author touched them, do you think that the words written would be the best way to imagine whoever is inside the story? I have a bookcase filled to the brim with books by my bed and I’ve only read maybe ten of the hundred there, and I like to pretend I know what it is to fall in love with stories. But the point is that there are thousands of people not just in my room but in my head, in my wrists, in my fingertips, on my tongue and underneath my breasts. The world will dissect me and there’ll be all these silent sleeping people inside my chest because they didn’t ever learn to talk when my heart was quiet. We only learn to talk from our parents, by imitating the weird and funny shapes their mouths make, by contorting our faces until they twist and a rumbling comes out of our throat and for the first time people understand what we want but never who we are. I can’t be a writer if the people inside me can’t talk, can’t tell me where they’ve been and who they’ve seen and the time they made love to the girl in the lingerie shop while her supervisor was busy sneaking cups of brandy from the kitchen. I don’t know, I don’t know, I can feel them weighing down my breath but even so I’m lonely and I just want to escape into the night, but I know if I leave the trees outside my door that I’ll feel guilty. And besides, there’s a boy who sleeps when I wake and who dreams, I like to think, of my bed and my skin, because I dream of his smile and his wit, and soon he’ll stumble into our bed and everything will be okay. I’ll still feel lonely but at least I won’t need words anymore, because he’ll understand me from the way our fingers touch when I pass him a mug, or when I sigh his name in my sleep, or when I bite down on his lip and scream beneath him. It’s okay. I’ll be lonely but so will he and the people inside me will be silent because I’ll make my own stories with someone who will love me for not making any sense at all.

the camphor laurel grows by the cathedral

You,
with the arms that are branches
and the smile that is thin and cracked,
hold your arms around her waist.

If you squeeze tight
you will both
dissolve.

In the bus stop there are two people
making love
and one person
crying
and the sun does not reach the corners
where the shadows are.

From across the street
you watch them
because the wrinkles on her hands make you sad.
If you hold her tight tight tight
her skin might stretch smooth
like bubblegum
or
silk
or
happiness.

It is December
and this moment
is the end of your life.
Tomorrow
we will make and remake ourselves.
We will wake up
and her skin will be smooth
and your eyes will shine
and you will be
making love,
and crying. 

i like kissing this and that of you;
A letter to the End of the World.

Dear Universe,

If you may, please hold yourself
inside yourself. Don’t let the nebulas
and the comets and the clouds of stardust
go wandering outside in the dead of the night.
Keep your hand on their shoulders. Murmur their names
in Arumenic, English, Latin, the language of zero gravity.

In this galaxy, it is warm with the kisses of starlight.
To know that I am but one shining girl in a world
that turns while staying still beneath my feet:
as breathtaking as your first kiss
behind the school bike rack,
running late for dinner.

You see, I am happy being small,
being just me & loving just you.

I ask that you console the stars
and keep their light from shining too far
and too dimly. Keep yourself within.

Love. Love. Love. 

The words that lift my arms in a hallelujah to language are abandon, ache, adieu.

I write of fragile girls with fragile hearts,
with porcelain for skin, cracked before their time.
I write boys with sparrows for hearts,
beating in a flutter: longing to take flight.

Women with skin of steel
may be stronger than the Grecian Gods,
but I cannot understand their red irises,
nor how their pupils show the screaming mouths
of the men who last touched them.

Iron eyes & people who cannot make love
are strangers from the other side of the barren desert.
There, they drink mud and chew on pebbles,
and I shudder to think of the blood from their molars. 

You see, it is the soft things that my dreams are of:
haunted by flowing skirts, and lips red of Eve’s apple. 

The rainforest.

I began to count the days like old weeping rings
in the bark of an old weeping oak. Those were the days
when we drank cool water from the oases in a single leaf.

When our hearts shattered against the rocks, the heavens wept for us,
our tears clinging to our eyelids, begging to stay with our warm skin.
I used to scratch the days onto my chest, with a red-clay rock,
to remember the times that your ankles danced over the dew
and I laughed.

With the earth on my skin, I could breathe.

Your lips were as warm as a lizard on the rock.
Your eyes were as cold as night, when the stars came alive,
and we longed for the sky beyond the canopy.

It is torture to know that the world turns,
but the trees will keep us prisoner. 

And when my heart cracks,
you will find petals inside.
They were shed from the heavens
when you joined the sky.

You will be the most beautiful sun
of them all. I will count the stars for you.